There is exactly one night between the moment the exhibition is ready, and the moment it opens to the public. That’s the timewindow I operate in. I use the second and third day to pick up shots of people interacting with the exhibition

For this film, I traveled with my assistant Eelco to Lisbon, where we met with Calum, a producer from Dezeen. The shoot was efficiently completed in just two days.

Usually, Dezeen provides me with the specific interview sections they intend to use, laying the foundation for the edit. I then submit draft edits, and their feedback challenges me, significantly elevating the overall quality of the edit.